LISA FONTANAROSA COLLECTION

Styling, Sourcing, Arranging, Creating 

Drawing on a career shaped by Fifth Avenue, Paris and Provence, I create layered spaces where flowers, textiles and handcrafted objects are never an afterthought but the poetic heart of a home. My world weaves artistry, travel and nature through every room every garden and every bloom.

I create a kind of quiet magic: layering flowers, textiles and objects from nature into spaces that feel both poetic and lived-in. My home and styling practice are   rooted at my lavender flower farm at Jo’s Farms where interiors, gardens and floral creations exist in a constant, beautiful conversation. Flowers are never an afterthought, they are essential. 

There are places that places that no not simply show you beauty; they teach you how to create it. For me, that story began at Henri Bendel and unfolded through Bergdorf Goodman in New York and Colette in Paris – each leaving an indelible imprint on my creative life. 

At Henri Bendel, the “Street of Shops,” with its intimate spaces and distinct identities, taught me the power of atmosphere. I learned to create emotion and discovery through texture, story, and detail—a lesson that has shaped everything I do.

Travel has always shaped the way I see.

From the Mediterranean roots of my Italian family to years spent in Paris and Provence, I developed a deep appreciation for French savoir-faire, the romance of timeworn objects, and the effortless dialogue between antique and modern.

That appreciation has led me to represent exceptional European artists and sculptors whose hand-dyed and hand-embroidered textiles, cushions, sculpture, and lighting bring an unmistakable sense of artistry, history, and soul into a room. I am drawn to objects that feel collected rather than purchased—expressive, tactile, and beautifully imperfect.

New Mexico is where everything came into focus. Its vastness, silence, and unmistakable light gave me the space to hear myself clearly. At the Harwood Museum in Taos, Agnes Martin’s work—and later her words, “Find out where you need to be and you will find out what you need to do”—became a touchstone in my life. The seed planted in New York and awakened in Paris came fully into bloom here.

Design is more than aesthetics; it is the poetry of place. My work draws from a rich tapestry of influences: French restraint and romance, Italian warmth, the soulful patina of Sicily, the refined energy of New York, and the vast, grounding beauty of New Mexico.

When I enter a room I have styled and am overcome with awe- when it invites me to linger – when I wish to not leave what I have created – I know that I have fulfilled my calling. 

“Go to Venice, Florence, Paris, walk down the street, and you’ll learn more than at any design school,” Massimo Vignelli advised me at the beginning of my career. “Not everyone comes back a master of the Renaissance, but something sticks.”

That’s what I’ve been doing ever since I started the Lisa Fontanarosa collection in 1997 when I moved from my

In 1997, I founded the Lisa Fontanarosa Collection, bringing my love of distinctive European-inspired objects, artful interiors, and floral design to New Mexico.

Today, my work is rooted at Jo’s Farms, my lavender and flower farm, where interiors, gardens, dried-flower sculptures, and seasonal floral creations live in continual conversation with nature.
For me, design is more than aesthetics—it is the poetry of place. My work reflects French restraint and romance, Italian warmth, New York energy, and the expansive light and quiet beauty of New Mexico. I create rooms that invite you to linger—spaces that feel deeply personal, layered over time, and touched by a little quiet magic.My home and gardens lay the foundation for my styling and floral creations

I travel the globe looking for  unique pieces that speak to my heart – lighting, textiles and objects that are as visceral as works of art and that like all of us, are beautiful in their imperfection.